Thursday, 26 June 2008

Scorn

Scorn   
Artist: Scorn

   Genre(s): 
Rock
   Ambient
   Industrial
   Electronic
   Retro
   Other
   Metal: Alternative
   Drum & Bass
   



Discography:


Stealth   
 Stealth

   Year: 2007   
Tracks: 8


Plan B   
 Plan B

   Year: 2002   
Tracks: 11


Governor   
 Governor

   Year: 2002   
Tracks: 6


Imaginaria Award   
 Imaginaria Award

   Year: 2000   
Tracks: 5


Greetings From Birmingham   
 Greetings From Birmingham

   Year: 2000   
Tracks: 13


Zander   
 Zander

   Year: 1997   
Tracks: 9


Whine   
 Whine

   Year: 1997   
Tracks: 12


Deliverance   
 Deliverance

   Year: 1997   
Tracks: 8


Logghi Barogghi   
 Logghi Barogghi

   Year: 1996   
Tracks: 14


Leave It Out   
 Leave It Out

   Year: 1996   
Tracks: 4


Gyral   
 Gyral

   Year: 1995   
Tracks: 8


Ellipsis   
 Ellipsis

   Year: 1995   
Tracks: 9


Evanescence   
 Evanescence

   Year: 1994   
Tracks: 10


Colossus   
 Colossus

   Year: 1994   
Tracks: 11


White Irises Blind   
 White Irises Blind

   Year: 1993   
Tracks: 6


Lament - Soleil Noire 7   
 Lament - Soleil Noire 7

   Year: 1993   
Tracks: 2


Vae Solis   
 Vae Solis

   Year: 1992   
Tracks: 13


Lick Forever Dog   
 Lick Forever Dog

   Year: 1992   
Tracks: 4




Closely allied with postindustrial dub terrorists such as Bill Laswell, Techno Animal, James Plotkin, Robert Musso, and Anton Fier, Birmingham-based artist Mick Harris is something of a subject area in extremes. A drummer with noted death metal outfit Napalm Death through the group's late-'80s/early-'90s efflorescence, Harris began experimenting with black and white ambient and dub styles toward the tail end of his association with that group. Releasing corporeal through Earache as Scorn (his ambient dub egis) and through Sentrax as Lull, in addition to former sporadic projects, his genre-spanning activities wealthy person done a great deal to jar the minds, expectations, and record collections of audiences previously unbroken sharply opposed. To the represent, Scorn and Lull, along with John Zorn's observational jazz-dubcore getup Painkiller cause remained Harris' chief on-going projects, although one-off collaborations with the likes of James Plotkin, Nicholas Bullen, Bill Laswell, and Martyn Bates are common. Harris formed Scorn in 1991 in collaboration with bassist Nick Bullen, incorporating elements of ambient, industrial, dub, rock and roll, and hip-hop. The chemical group (though pared back to exactly Harris following Evanescence) have released a number of increasingly well-received full-length recordings, including the remix LP Ellipsis, which features outward reworkings by the likes of Coil, Autechre, Laswell, and Germ. Harris' solo form as Lull focuses on darker, more "isolationist" ambient soundscapes, some of which get been reissued domestically by Laswell's now-defunct Subharmonic imprint. [See Also: Mick Harris, Lull]